Around 2.20 am on 15th April 2012 two crew members of Leyland Liner Californian unknowingly witnessed the sinking of the Titanic. Standing on the ice-cold deck, some 400 miles off the coast of Newfoundland, they wondered why the unidentified vessel in the distance was firing white flares into the night sky when it was standard practice for a ship in distress to fire red. There was something troubling about the appearance of the unknown vessel and the way it listed strangely in the water. Despite their disquiet, they were not sufficiently concerned to react that night and by daybreak, it was too late. The odd-looking ship was RMS Titanic and she had subsequently sunk taking 1517 people to a tragic and untimely death.
Titanic left Southampton bound for New York City on her maiden voyage on 10 April 1912 amid excitement and celebration. With her watertight compartments and electronic watertight doors, she was widely believed to be unsinkable. Confidence was so high there was no concern that she only carried 20 lifeboats, enough to accommodate just 52% of her passengers. Indeed, the Board of Trade regulations only required her to carry 16 lifeboats to fulfil their safety requirements.
At the turn of the century, travel was still largely segregated by class and RMS Titanic catered for three divisions of travel. Steerage or third class contained very basic accommodation, second class was more comfortable, but first class was an extravaganza of luxury, from the opulence of the sweeping grand staircase to the charm of the Café Parisien with its wide, open windows looking out to sea. Along with the glamorous furnishings, Titanic also contained the latest in technology. She was equipped with a Marconi wireless set with a nominal range of 250 miles and, after the iceberg hit, the radio was used to transmit one of the first ever SOS calls.
The passenger list was no less impressive than the ship. First class was populated with many well-known, wealthy Edwardians including John Jacob Astor and Benjamin Guggenheim. But, there were people from all walks of life on board and on that fateful day in April, there were three men on Titanic who had connections to the Cotswolds, each travelling in a different accommodation class and each united by the events of that night.
Sitting in the splendour of the first-class dining room on 14th April 1912, Mr Frank Millett would have had no conception that it would be the last night of his life. Born in Massachusetts on 3 November 1844, he was a talented artist best known for his painting “between two fires”, a detailed depiction of a family of Puritans, now hanging in the Tate gallery. Millett created the work at Abbots Grange in Broadway where he led an American art colony which settled in England in the early 1880’s. Millett is believed to have rescued Abbots Grange from falling into a state of disrepair through his programme of restoration.
Millett ordinarily visited the Cotswolds with his wife and family but this time he travelled alone and would have been looking forward to their impending reunion as he dined from the ten-course menu containing, amongst other items, poached salmon, oysters and peaches in Chartreuse jelly.
When the iceberg hit the ship, Frank Millett probably approached the ensuing drama with dignity and calm. He was familiar with crises having served in the Civil War and was also a war correspondent in the Russian Turkish war of 1877 – 1878. He was last sighted helping women and children into lifeboats with little thought for his own safety.
Meanwhile, in the second-class restaurant, Henry Price Hodges dined on a less sumptuous menu choosing between baked haddock, curried chicken, spring lamb or roast turkey. At 50 years old, Hodges was a wealthy music shop owner who lived in Southampton with his wife and five of his eight children at the time of his death.
Like Frank Millett, he was travelling without his family and had purchased his ticket for just £13. Ironically, he had been due to travel to America several weeks earlier but his voyage had been delayed by the coal strike.
Born in 1862, Henry, a former pupil of Tewkesbury Grammar school was raised in Gloucestershire. He was also the elder brother of Robert Hodges (born 1874), a teacher at Hatherley Road Council School.
Another former resident of Hatherley, Mr Francis William Somerton of Greatfield, Up Hatherley, was travelling back from Cheltenham to his home in Canastota, New York state, having returned to Gloucestershire to visit relatives. Travelling in third class, it is only possible to speculate on how he would have dined as no third-class menus survive from the night of 14th April 1912. We know that he was born in Cheltenham and census records from 1891 show him living at 108 Gloucester Road with his father William, (a weigh clerk at the gas works), mother Hannah and three siblings.
National probate records show that Francis William Somerton of Greatfield, Up Hatherley, Cheltenham died 15 Apr 1912 at sea. Poignantly, he left effects of just £5 which went to Mae Fryer Somerton, widow.
All three of these men had one sad fate in common. None of them survived. They all lost their lives on that terrible night.
The body of Frank Millett was recovered, and he was buried at East Bridgwater Central Cemetery in Boston. He was 65-years old when he died. His pocket watch and chain were found with him. Henry Price Hodges was also located and laid to rest at Fairview Cemetery, Halifax, Nova Scotia. He too was found with a pocket watch and money amounting to £45 7s on his person. He was 50 when he died. Francis William Somerton died aged 30. His body was never found.
Fiction genres are malleable. Books move in and out of popularity and often straddle several genres. Genealogy fiction is a sub-genre, usually combining murder mystery and crime with genealogical research. But what defines genealogy fiction? Must the protagonist be a genealogist to qualify?
My first foray into genealogy fiction was The Blood Detective by Dan Waddell. I liked it so much I immediately bought Blood Atonement and finished it within days. As a seasoned genealogist, I was hooked. Before long, I had graduated to Steve Robinson and his Jefferson Tayte mysteries and Nathan Dylan Goodwin’s forensic genealogist Morton Farrier. I am currently reading Goodwin’s The Suffragette’s Secret and very good it is too. Top of my genealogy fiction ‘to read’ list is Stephen Molyneau’s The Marriage Certificate and M J Lee’s The Irish Inheritance when time allows.
When I wrote Vote for Murder, it was inevitably going to have a genealogical theme being based on two of my ancestors, one a suffragette and one a convicted poisoner. The Fressingfield Witch is also based on my ancestry and was inspired by a public accusation of witchcraft made against a distant relative. The protagonist in Vote for Murder is an independent young suffragette who unravels a murder using a diary and family records. Private Investigator Lawrence Harpham uses parish and probate records to unmask the murderer in The Fressingfield Witch, but neither Lawrence nor suffragette, Louisa are genealogists. Are the books then worthy of the sub-genre classification of genealogy fiction? And does it matter that they are both set in Victorian times where the opportunity to use family history records was more limited? One never wants to disappoint an audience so getting the genre right is important. But I believe that both books nestle well into the genealogy fiction genre, even if they are not quite the same as their better-known counterparts.
The below is a list of well-known genealogy fiction writers. Some I have yet to read, but I heartily recommend the top three. Enjoy.
Dan Waddell – The Blood Detective & Blood Atonement
Steve Robinson – Any of his Jefferson Tayte offerings
Nathan Dylan Goodwin – Any Morton Farrier, forensic genealogist
M K Jones – The Genealogy Detectives
Geraldine Wall – File under Fear/Family/Fidelity
Stephen Molyneaux – The Marriage Certificate
M J Lee – The Jayne Sinclair Genealogical Mysteries
John Nixon – Madeleine Porter Mysteries
Beryl Taylor – Therese
Crucial to the setting of ‘The Fressingfield Witch’, is The Fox and Goose Inn which nestles in front of the churchyard. Formerly the guildhall of St Margaret of Antioch, the structure was built around 1509 and has been a public house since 1710. The side facing the churchyard is an attractive mix of brick and timbers and there is an interesting carved corner post with the figure of Saint Margaret on the church side of the building. The post, quite naturally, appears worn and I worked it into the book with one of the characters touching it for luck.
The village of Fressingfield in the book is populated with real inhabitants from the 1891 census, mostly where they do not play a lead role – and even sometimes where they do. The publican in 1891 was 63-year-old Benjamin Powley from Burlingham, Norfolk, coincidentally bearing the same name as one of my nephews. Prior to that, he was victualler at ‘The Feathers’ in North Walsham.
Though serving as a public house, The Fox & Goose regularly hosted inquests. The following, extracted from The Ipswich Journal 8th November 1884, records the inquest following the death of Jonathan Carter, an integral event in ‘The Fressingfield Witch’:
Sudden Death – An inquest was held at the Fox and Goose Inn on Monday morning before C.W. Chaston, Esq upon the body of Jonathan Carter, agricultural labourer, aged 77 years. Harriet Corbyn stated that the deceased, who was her brother, had lived with her and her husband for the last four years; he had had fair health and witness had not heard him complain. He left home about nine a.m. on Saturday to be shaved, which was the last time the witness saw him alive. Several of the family had died of heart disease. Deceased had not for a long time been attended by a medical man. Harriet King, widow, said that as she was walking through the churchyard on Saturday morning, about 10 o’clock, she noticed someone lying on the path, and on going up found it was the deceased. She spoke to him, but receiving no answer she went at once for assistance. John Edwards, baker, said that in consequence of what the last witness said to him on Saturday, he went into the churchyard and found the deceased lying as described. He breathed twice, and almost immediately afterwards expired. Dr Anderson stated that he had made an external examination of the body, and found no marks of violence. Judging from his experience and from the evidence given, he was of the opinion that death was caused by sudden failure of the heart’s action. The jury returned a verdict accordingly.
Today, The Fox & Goose is a popular, friendly restaurant attracting a range of satisfied customers and even coming to the notice of The Telegraph. It is a far cry from the place of torture assigned to its upper floor in the book – a place where Matthew Hopkins accused Faith Mills of witchcraft and tried to extract a confession using the cruellest methods. Nowadays, the only cruelty is having to choose from so many delicious menu options. Time has moved on, in a good way.
Corvus corone aka the carrion crow appears throughout ‘The Fressingfield Witch’. In fact, the book was nearly entitled ‘Crowfall.” It features a crow which was adopted as an unofficial family crest following the Witch Trials and was subsequently used to create terror amongst those of a superstitious nature.
Fear and prejudice has long been held against the crow whose poor reputation existed from ancient times. A single crow is considered unlucky and it is unsurprising that the collective name for these birds is a ‘murder’ of crows. If a crow perches near or circles a house, it foretells a death. If it swoops over the paternal house, it is a sign of misfortune. A crow forsaking a flock indicates a famine.
Crows have often been used in literature. Shakespeare prefaced some of his darker scenes with the introduction of crows or ravens; this below from Macbeth:
“Light thickens, and the crow
Makes wing to th’ rooky wood.
Good things of day begin to droop and drowse,
While night’s black agents to their prey do rouse.”
Crows are intelligent animals. They remember faces, particularly when they have experienced cruelty. They possess the rare ability to problem solve. Crows are smart enough to drop nuts from great heights to get at the kernel and, in this more modern age, have been seen tossing nuts in front of passing cars to take advantage of an easy nut-cracking facility.
The Fressingfield Witch begins with a quote from Hudibas. This 17th century narrative poem by Samuel Butler satirised the Civil War. It also features crows.
“Is it not ominous, in all countries
When crows and ravens croak on trees
The Roman senate, when within
The city walls, an owl was seen
Did cause their clergy with lestrations
(Our synod calls Humiliation)
The round face’d prodigy t’avert
From doing town or country hurt”